Initially formed of a band of session singers that included Francesca Ngubeni, Nunu Maseko and Kate Olene, the Dark City Sisters began life as rough-and-ready recording act. Their sound deviated wildly from the tender vocals of their nearest rivals, the established Skylarks led by Miriam Makeba over at Gallo, instead preferring a more boisterous and animated singing style. Their sound was a key part of the development of what was later called “mbaqanga”, a shift that signalled the end of the jazz and swing-based sounds that had dominated the music scene heretofore. Best Service Artist Grooves Seriale. However, within about a year or two, the sound of the Dark City Sisters had changed to focus on well-blended close harmony. Key to this was the recruitment of several new singers including Irene Nhlapo, Hilda Mogapi, Grace Msika and, most significantly, Molepolole-born Joyce Mogatusi. 22-year old Mogatusi was recruited to EMI by Rupert Bopape in 1959 and was immediately ensconced within the female vocalists team at the company, recording songs in rotating line-ups under such famous names as the Killingstone Stars, the Flying Jazz Queens and – of course – the Dark City Sisters. Mogatusi possessed an amazingly well developed, delicately sweet voice that early on helped to develop an image for the latter pseudonym.

Jan 18, 2016. Bill Evans Trio – Waltz for Debby SACD ISO (Stereo): 3,02 GB 24B/88,2kHz Stereo FLAC: 1,24 GB Full Artwork 3% Recovery Info Label/Cat#: Analogue Productions # CAPJ 9399 SA Country/Year: Europe 2002. Genre: Jazz Style: Post Bop. Years ago, having heard this was one of the best jazz.

By 1964, the Sisters had become the most popular female group in South Africa – and a large part of this success can be attributed to the vocal talents of Mogatusi and her ability to lead the team of women in joyous song. Biologia Cellulare E Molecolare Karp Pdf Writer. Mogatusi was far from someone who just turned up for the rehearsals and the recording sessions – she soaked up the talents and skills of those around her (Almon Memela, Aaron Lerole, Zacks Nkosi and Zeph Nkabinde) to nurture a prolific arranging and composing career. Gradually, with the departure of Rupert Bopape from EMI (he joined Gallo and became the executive head of the new Mavuthela operation), Mogatusi assumed complete control of the Sisters. A magnificent talent for arranging harmonies helped to sustain the group’s popularity through the 1960s with the release of hundreds of singles, in spite of the rise of Bopape’s newly formed Mahotella Queens.

Together with Grace Msika, Esther Khoza and Audrey Zwane, Mogatusi continued composing and leading the group until a brief disband in 1971. A yearn for music saw Mogatusi regroup with the ladies a mere two years later, returning to Bopape’s stable but under the wing of producer West Nkosi – by which time Mogatusi had married and given birth to two children. Cam 350 Software Crack Sites. The Sisters were able to maintain some degree of success at Mavuthela and continued to record for the company until 1981, when they departed for a new producer and label. It could be that creative differences formed a part of their decision to move – West Nkosi had by now begun to reimagine the mbaqanga sound to cater for the changing tastes of the audience – as well as the lack of royalty payments. Now a trio (the other two members being the now-married Grace Moeketsi and new recruit Doris Ntuli), the Sisters joined Black Cat Productions – distributed by their old company, EMI – and producer Roxy Buthelezi. Another fallow period followed, during which Mogatusi returned to her domestic life to help raise her family. Mogatusi made a return to West Nkosi at Mavuthela in 1984.