Now, the funny thing is that you can actually hear Smith's influence on the album - at least compared to the other Banshee stuff before it. This is most evident on the lead single 'Swimming Horses', whose piano riff could easily come from an eighties Cure track. There are also some other songs on the album that remotely bring to mind Smith's own band, such as The Top album, also released in 1984. The organ-led 'Take Me Back' for instance is one of the more Cure-ish tunes here. That is not to say that the album would be some kind of a Cure pastiche, though, but rather a blending of two musical directions: that of Robert Smith, and that of The Banshees. Speaking of vague, 'Pointing Bone' has probably some of the band's most obscure lyrics while apparently referring to some type of Aboriginal magic. Too bad the song doesn't really get anywhere.

'Running Town', another Banshee tune with Cure-ish piano, is a hate song to cities where people are just rushing about in an endless hurry. To be more precise, she wrote the song about Sydney, which also adds the element of heat into the mix: 'Helter skelter, all a swelter / The impetus is seething / in running town'.

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