A few of us had made the point that the Homosexual content in the script would be unlikely to be included in an ALIEN script. I myself was stating this over on IMDB, but a mutual fan of the first film brought up a great point.

When Jon Spaihts '91 learned that Warner Bros. Had bought his first screenplay, “Shadow 19,” in 2006, he couldn't believe it. “I was lucky enough that it sold, despite it being my first screenplay,” recalls Spaihts, who wrote the script while working as a documentary filmmaker and freelance writer in his native. Nov 16, 2012. So when we learned that Lindelof had done major revisions to the original script written by Jon Spaihts (The Darkest Hour, the unproduced Passengers), many assumed that the original script had been brilliant before Lindelof came along and Lost'd it all up. Because that's a far more palatable reality.

That is, the mind-control rape thing in ALIEN HARVEST is far from unlikely in an R-RATED film and that it closely resembles the scenes in DELIVERANCE and even PULP FICTION. He makes a good point Wordperfect X3 Download Kostenlos Musik. !!! I hadn't considered this. The way the homosexual attack is created and the way their relationship is depicted is pretty much warped in ways that Hollywood doesn't really shy from.

I guess all this name calling (ie: 'BROKEBACK ALIEN') had slighted my consideration. Something that's been eating at me as well is, that when I read the script I feel it captures the mood and the world created in ALIEN better than any of the sequels. Even if the story is much more fantasy-driven. I feel like I can't understand why others don't get that from it and let me just re-iterate that Im not so die-hard about it being legit. Another person mentioned that SPAIGHTS other scripts do not compare to the HARVEST script, especially in terms of style. If anyone has links to SPAIGHTS other scripts, I would like to, and would be happy to compare and discuss. I would really like to read other Spaights scripts and compare then to HARVEST.

A good place to start might be formatting. The HARVEST script I have is not formatted in any way to indicate it is a final draft or even a worked upon draft. Rather, it's format would seem to be a pitch script, with some noticeable editing done within. Maybe leaked or cracked by someone close to whoever was doing a run-through edit with SPAIGHTS? This is something to keep in mind when comparing scripts, that at different stages of the game scripts are re-written, quite a few times to include different cues and other info.

That's not even to start on re-WRITES. These changes can be made in any order, at any time in the game, including shooting days, and even AFTER scenes are finished. Even after the film is finished. Back when, I myself have had to rush scripts to actors in the middle of the night and wake them up with only three hours before the shoot starts, just so they could have the re-writes of material they are shooting in 3 hours. I've been trying to get this out there to the people who hate the HARVEST script but some seem to not understand and take offense.

Without being abrasive it's like blaming the messenger. I'm only stating the way things work on set and when working on a production. However, the lack of detail in the text and the cut-to-the-chase formatting wreaks of professional work. Did anyone else notice that? Here are Spaihts other two scripts.

Shadow 19 and Passengers. Both of these scripts were on the Black List, a list of all the best scrpits each year as chosen by executives and filmmakers in hollywood that have not been made into movies yet. In my opinion Shadow 19 is the greatest sci fi movie never made. Its utterly amazing. I can not stress enough how great it is. As i said before Shadow 19 and Passenger are the scripts that got him a chance to pitch the alien prequel to Scott Free and the studio, and his pitch is what convinced Ridley to direct the prequel. Passengers is a story of a man whos cryotube wakes him up 30 years into a 120 year space flight, 90 years to early.